Posts Tagged ‘Jack Hues

14
Mar
17

3/14/07 – First Post

Well, here we are at last — my first official blog.  It does feel good to be reaching out to you (whoever you may be) after all this time!  With the release of my new album just around the corner, it goes without saying that these are exciting times for me….and what a pleasure it is to be finally one-on-one with you.

The new album, “IN THE TEMPLE OF THE MUSE”, was recorded with many of the same musicians and friends that helped me out with my first album, “IN THE HOUSE OF STONE AND LIGHT”:  Neil Taylor (Tears For Fears, and now working with Robbie Williams); Brian Fairweather (my partner from my Q-Feel days); Jack Hues (Wang Chung); and Bill Dillon (of Robbie Robertson, Sarah McLachlan, Peter Gabriel fame) all helped out on guitars.  I was lucky enough to again have Jimmy Copley on live drums.  He’s well known for his work with Tears For Fears, Go West, Jeff Beck and Paul Rogers.  So I had an excellent supporting cast, yet again, to make me look good.  The remaining instruments, and all the vocals, were played or performed by yours truly.  It was a great adventure to play everything from Spanish nylon guitar to 5-string bass to all manor of keyboards.

I also took the liberty to engineer and mix the album myself at home.  As always, my demos were the fundamental root of all the recorded songs, and I believe the rough, organic mood in which these songs were recorded shows the songs off in their true spirit.  As the new songs were very personal, I wanted a rawness and spontaneity to be present in the home recordings.  I used a great deal of vintage analog equipment to achieve this.  I’m a great believer that demos are masters, and that the studio should be a church of creativity and pure emotion, and not a sterile factory.  In many ways, that’s why I chose the title of the new album, “IN THE TEMPLE OF THE MUSE” (which, by the way, was the name of a famous book shop in London back, I believe, in Lord Byron’s, Shelley’s and Wordsworth’s time):  Many of the songs were written, and recorded in the studio simultaneously.

Anyway, the release of the new work is, as I mentioned, just around the corner.  Artwork and design, photos, electric press kits, etc., etc., are all being finalized as we speak, so …… we are nearly there.  This is the first release on my own independent label, IRONINGBOARD RECORDS, and I must say, it has been fun doing it myself….a terrific feeling of freedom.  Taking the responsibility to make choices that are usually not allowed the artists by the major (corporate) record labels, has been refreshing and rewarding – something I needed to do at this stage of my career.

Ultimately, it’s all about the songs for me – their emotions and their message.  From as early as I can remember, the song was everything … and still is to me.  Having said that, I’ll finish my first official blog and get back to the home studio, and of course to the all-important cup of tea (I am English, after all).   Thanks for listening.  Speak to you soon.

Martin.

23
May
13

5/23/2013 – Photo Blog

Hi everybody!  Well, I haven’t done a blog for a long time, so I thought I’d share with you some recent photos and the stories behind them.

No.1 – Say hello to Bo and Peep!  Two wonderful paper mache “owls” that I bid for after Christmas time at the Anthropology shop at The Grove in L.A.  Anthropology opened bidding on these wonderful creatures (initially created for store displays by their infinitely clever creative department) after their Xmas decorations were set to be broken down to make way for new displays.  The money from the auction was to go to the Wildlife Rescue Fund and the fund set up for the victims of the Newtown school shooting.  I’m glad to say that I won the bid, and Bo and Peep will be featured hanging from the ceiling …. I mean FLYING in my new home-studio annex – “The Owl’s Nest”.  The photo features Bo and Peep in flight, “carrying” me and my manager, Diane Poncher, after claiming our new companions to take them to their new home!!

 

 

No.2 – This is the internet radio reunion of Q-Feel at an 80’s-based Audio Nowcast podcast.  Pictured are Brian Fairweather and myself and Diane Poncher (who also managed & looked-after Q-Feel during the 80’s).  It was wonderful for the three of us to be back together in the same room again.  Reliving some of those days on the podcast with Brian was a joy … we never stopped laughing!!

 

 

No.3 – Here I am with great friend Jack Hues (of Wang Chung fame), and yes, I think you can tell we had a damn good giggle together.  I think Jack is telling me to get more of a suntan!!  By the way, check out Wang Chung’s recent album, “TAZOR UP!”.

 

 

No.4 – It was a privilege to meet the iconic producer and engineer, Ken Scott (The Beatles, David Bowie) when we were both guests on Mike Rodriguez’s Audio Nowcast podcast.  Listening to his studio stories was both inspiring and motivating … and the man has a damn good English sense of humor – always a big plus in my book!

 

No.5 – Finally, here I am at the recent ASCAP Pop Awards with good friends Pete Leinheiser (of Gibson Guitars) and Ritch Esra (co-founder of the Music Registry series of directories – the music business “bible”).  I had a great time catching up with many special friends from the industry, and Paul Williams (legendary songwriter and current President of ASCAP) gave a rousing and poignant opening speech to start off the proceedings, advocating “the good fight” that needs to be fought and supported for the rights of all songwriters in this digital revolution of streaming, pirating and a general lack of reverence today for the songwriter’s art and rights.  A good evening was had by all.

 

In closing, I just want to thank you all for your constant support of my work and your encouragement.  You guys are part of my (musical) family, and you keep me focused on always trying to write, record and perform the best music I can.

 

See you soon.

 

Cheers!

– Martin

21
Nov
08

11/21/2008 – Interview in Melodic Magazine

Original link to article: http://www.melodic.net/?page=interview&id=235 

Transcript below:

After 13 years, Martin Page´s long-awaited follow-up album to the smash hit “IN THE HOUSE OF STONE AND LIGHT”, is a soulful work, spiritually charged with Page´s trademark layers of melodic atmosphere and emotive vocal performances.
Martin is one of the best songwriters around and a true gentleman, his new album “IN THE TEMPLE OF THE MUSE” is what melodic.net calls first class melodic pop / rock.
Let me present, Martin Page!
Hello Martin, how are you doing in Obama land, do people over there believe in a bright future?
Martin: There is most definitely a feeling of optimism in the country; a sense of dignity and respect seems to permeate the air at this time. Let us hope it continues.Your long awaited new album “In The Temple of the Muse” is fantastic, but why did it take 13 years for you to release another record?
Martin: I am a strong believer that until you have something of consequence to say – keep quiet. I feel no pressure or demand to release solo material just for the sake of it, which I think is a disease of the music industry in general. The songs on “In The Temple of The Muse” came to me over a long period of time, and I was lucky enough to have the time to give them the necessary attention and respect they demanded – to be sympathetic to the songs in order to develop them properly into a project I totally believed in.I can hear Sting and Peter Gabriel influences in your albums, are they musical heroes for you?
Martin: Both Peter Gabriel and Sting grew up, as I did, in England during a musical era that affected us all – the 60’s and 70’s. I believe we have many of the same influences – namely, the Beatles, Motown Soul, World Music and Folk. So, it’s not a stretch to hear similarities in our music, our style and our approach.

Not many songwriters can put up a list of such great hit songs like you, just to name a few for our readers:
King of wishful thinking – Go West, We built this city, It´s not enough & Good heart – Starship, These dreams – Heart, Magnetic – Earth Wind and Fire, Ghost in your heart – Bad English, Deal for life – John Waite etc.
Is your wall filled with platinum records?

Martin: Yes, I’m fortunate enough to have a few on my wall, and it certainly helps to view them now and again when I need to be reminded to strive harder for that special, unique song that communicates to a wide audience.

I have a tape with your first solo album “In The House of Stone and Light” on the a-side when it came out and Mark Williamson (from Manchester, England) “Time slipping by” (1994) on the b-side of the tape which I thought was a perfect combination. I listened a lot to both albums back then.
Have you heard that album?

Martin: I’m afraid I haven’t heard Mark Williamson’s album – but I must thank you for investing in my first solo album – you have good ears!!!

What do you think of the music climate of today where artists like Rihanna, Britney Spears and Coldplay rule the charts?
Martin: The digital revolution has greatly influenced the musical climate of today – both for good and bad. There is definitely a lack of interest today in the album-oriented artists, because single-song MP3’s are so readily available, and I think that is sad, as ultimately art suffers. On the good side, the digital revolution has taken the power out of the hands of the major “corporate” record companies and presented it to the individual, independent artist, and that is a very positive thing. The danger today is that we accept and become anesthetized by cheaper, quicker, unimaginative, soulless music that doesn’t rise to the standards of the past.

I have always wondered what your main instrument is, the piano?
Martin: My main instrument is bass guitar. I started my career as a bassist in funk and soul bands back in England in the late 70’s. When the revelation hit me that songs were more important than instrument prowess, I taught myself keyboards and guitar so that I could write songs and produce my own demos. I’m a bit of a jack-of-all-trades, and I enjoy to dabble on as many instruments as I can get my hands on.

You have written quite a few songs with Bernie Taupin ( who´s known for his work with Elton John), have you ever met Sir.Elton John?
Martin: Yes, I have met Sir Elton John on numerous occasions. I was very privileged to work with him when I produced his vocals for Bernie Taupin’s solo album, “Tribe”. I’ve always been a huge fan of his, and he proved to be the consummate professional to work with.

You have written hits for popular Soundtracks like “Pretty woman” and “Days of thunder”, do you still get any offers on writing songs for soundtrack scores?
Martin: I do still receive offers to work on movie soundtracks. I find it a joy and a challenge to match music with visuals. I have always felt that somehow my music lends itself – and is emotionally suited – to visuals. I would ultimately like to do more work for movies in the future; it remains an ambition of mine.

Who is the most gifted artist you have written a song for/ or worked with? (I guess this one is difficult to answer but you can name more than one if you want)
Martin: This is a very difficult question for me to answer, as I have been extremely fortunate over the years to have worked and collaborated with a host of extremely talented writers and artists. But, I will mention a few who inspired me and expanded my musical horizons. Maurice White of Earth, Wind & Fire; Robbie Robertson of The Band; Peter Cox and Richard Drummie of Go West; Jack Hues of Wang Chung; Hal David; Paul Young, and of course, Bernie Taupin. I learned from all of these artists and their very different talents left a lasting impression on me.

Which 5 albums would you bring along to a deserted island?
Martin: Well, providing that the deserted island has electricity and a system on which to play these albums, these would be my top 5: Abbey Road – The Beatles; Selling England by The Pound – Genesis; Talking Book – Stevie Wonder; Goodbye Yellow Brick Road – Elton John; A Hard Days Night – The Beatles.

One last question, I think lots of your fans are wondering if you will make a 3rd solo album. Any plans?
Martin: I am actually, at this moment, finishing songs for my 3rd solo album. I have recently been in a prolific creative period. This new album that I am presently working on feels like a natural extension of my previous two solo works. I’m extremely excited about the new songs and the direction they’re taking. I hope to release it sometime next year.